LOTI Pierre (1850-1923) écrivain et officier de marine

Lot 922
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800 - 1000 EUR
LOTI Pierre (1850-1923) écrivain et officier de marine
8 L.A.S. "Pierre Loti" or "P. Loti", 1890-1893, to Georges HARTMANN; 22 pages in8, 4 envelopes (small tear to a letter). Interesting correspondence on the adaptation of Madame Chrysanthemum into a lyric comedy, by the librettists Georges Hartmann and André Alexandre, for André MESSAGER (created at the Théâtre de la Renaissance on January 30, 1893). August 26, 1890, he accepts the proposition with pleasure: "Nothing could be more pleasant to me than to do something with Mr. MASSENET for whom I have an extreme admiration" . [1891], "aboard the Formidable, Golfe Jouan": "I will write to CARVALHO, I will even go and see him if I have to [...] I will do whatever you wish for the success of our play"; but he fears he has made a fatal mistake, having forgotten that he had signed the rights of Chrysanthemum to a certain Bocage in 1888, who remembers to him: "I had terrible personal concerns at that time". He suggested to Hartmann that he go to Bocage and propose an arrangement "where I would be the only one to lose", giving him some or even all of his own rights to the project. He is sorry and will do his utmost "to avoid disappointment and loss". [Toulon October 1891], he had "a bad fly bite on his cheek, which necessitated butchering and gave me a high fever". He hopes that all this won't prevent Carvalho from "throwing his eyes on Chrysanthemum"... - He said a word about "the Bocage affair" to MESSAGER, who was not aware of it; "I'm sorry if I spoke too much"... [January 24, 1893]. He asked Detroyat for tickets for the premiere of Chrysanthemum. "He replied that all the author's tickets were in your hands. I know that I am not entitled to much, since I did not collaborate and did not even have a consultative voice", but he would like to give his niece Mrs Duvignau the benefit of this... January 28, 1893]. He deplores his letter "full of big reproaches". He had really believed on their part "in a sort of bias on their part not to listen
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