SARTRE Jean-Paul (1905-1980)

Lot 92
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20000 - 30000 EUR
SARTRE Jean-Paul (1905-1980)
L'Engagement de Mallarmé, autograph manuscript 1952. 140 pages numbered up to 136 including 4 pages bis: 77, 90, 91 and 109 in ink foliated by Simone de Beauvoir, on in-4 squared paper. The essay L'Engagement de Mallarmé, written in the early 1950s, was found in 1977 by Simone de Beauvoir and published for the first time in the magazine Obliques, n°18-19 in 1979, then by Gallimard, collection "Arcades", in 1986 under the title Mallarmé. La lucidité et sa face d'ombre. Complete manuscript of the (unfinished) essay on Mallarmé with erasures and corrections. "1848: the fall of the monarchy deprived the bourgeoisie of its "cover"; as a result, Poetry lost its two traditional themes: Man and God. God first: Europe had just learned a staggering news, now disputed by some: "God dead. Stop. Intestat". At the opening of the succession there was panic: what was left of the Disappeared? Chances; the man was one of them...". Sartre had an admiration for Mallarmé's poetry: "Style, in Mallarmé's work, is a play on words that masks a play on meaning: a sort of hide-and-seek of the meaning and the word. The result, his "poems" or his "prose poems", is a style that emerges from the annihilation of style". (Sartre, interview with Michel Sicard, revue Obliques, p. 10). The centre of Sartre's essay is the problem of the Void, which he begins by treating philosophically and ideologically, as an avatar of Nietzsche's "God is dead". Sartre underlines in Mallarmé the inescapable modernity of his vision of being and language: "With Mallarmé is born a new man, reflexive and critical, tragic, whose lifeline is a decline. This character, whose being-for-failure is not essentially different from the Heideggerian being-for-death, projects and gathers, surpasses and totals himself in the dazzling drama of incarnation and fall, he cancels himself out and exalts himself at the same time, in short he makes himself exist through the awareness he takes of his impossi
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