SARTRE Jean-Paul (1905-1980) - Lot 469

Lot n° 469
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8000 - 10000 EUR
SARTRE Jean-Paul (1905-1980) - Lot 469
SARTRE Jean-Paul (1905-1980) Le séquestré de Venise, autograph manuscript, S. l., [1961] [1] f. and 963 ff. in-4, lined or squared paper. Some pages yellowed, a few small marginal tears on some pages, especially the first ones. Small tear on 1 f. reaching the text. Ff . 767, 768 and 946 do not exist (without missing text); two ff . En bis: 754 bis and 848 bis. Important autograph manuscript by Jean-Paul Sartre dedicated to Tintoretto, entitled Le Séquestré de Venise (The Sequester of Venice), probably written in 1961. Sartre's links with Italy, and particularly Venice, are very strong. He travelled there regularly, either alone or with Simone de Beauvoir. On Venice, he published, in Situations IV, "Venice, from my window". This study on Tintoretto, whose paintings he studied in detail, was never published, at least not completely. A first version, extracted from this manuscript, appeared in Les Temps modernes in 1957, and was reprinted in Situations IV in 1964. The text was then presented as a fragment of a forthcoming work. "This work on Tintoretto is crucial: without leaving the plane of existential analysis, the study will focus largely on the work, going from painting to painting and speaking only of the works. This is a unique case in the Sartrean itinerary where the work of conceptualization can make it possible to account for the structuring of a work, to explain how it does not come under a theory of taste - in this case mannerism, baroque, or a certain eclecticism - but exclusively from the artist's profound choices. - Le séquestré de Venise, published in Les Temps modernes in September 1957; - Un vieillard mystifi é, on the Self-Portrait in the Louvre Museum, which followed a study of portraits by Tintoretto, prepared and published [...] in 2005 in the Sartre catalogue (p. 186-190) by the Bibliothèque nationale. 186-190) of the Bibliothèque nationale de France in Paris, co-published with Gallimard; - Saint Marc et son double, prepared and published [...] in Sartre et les arts of the review Obliques n° 24-25 (p. 171-2002) in 1981; - La restitution plastique d'un miracle, a fragment published without title in the catalogue Sartre e l'arte, Rome, Villa Médicis, in 1987; - Saint Georges et le dragon, published in the "Sartre" issue of the journal L'Arc, in 1966, by Bernard Pingaud, immediately followed by other pages prepared and published [...] in Le Magazine littéraire No. 176 (p.28-30), September 1981, under the title chosen by the Journal: Les produits fi nis du Tintoret." (Michel Sicard, Approches du Tintoret, 2005.) The manuscript is legible and contains erasures at the end of the page: as soon as Sartre crosses out text, he changes pages, sometimes after only one or two lines. Sometimes an entire paragraph is deleted and carried over to the next page. One page has a full-page ink drawing. Some ff . Some pages have text on the reverse side, which has been completely crossed out. As Michel Sicard points out, our manuscript is the second version, written by Sartre in 1961, during a new stay in Italy. "This work for the second version constitutes the essential part of the aesthetics on Tintoretto. We will read the main themes: gravity, time, space, light... This constitutes the outline of the aesthetic part of the book." BIBLIOGRAPHY Michel Sicard, Approaches to Tintoretto, 2005.
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