QUENEAU Raymond. - Lot 155

Lot n° 155
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Estimation :
1000 - 1200 EUR
QUENEAU Raymond. - Lot 155
QUENEAU Raymond. autograph NOTES and 2 corrected TAPSCRIPTS, Tête de sons, [1946]; 1 page in-4, 3 and 8 pages in-4. Original unpublished script. File consists of one sheet of autograph notes (with suggestions for actors); first synopsis (3 p. extensively corrected, on verso of ff . of typescript of Queneau's translation of Peter Ibbetson); script (fragment, 8 corrected p., on verso of ff . of corrected typescript of On est toujours trop bon avec les femmes); typescript (title and 8 p.); 3 copies of another version (one incomplete of the 1st f); corrected typescript of a radio version in 3 acts (title+27+27+19 p. (the first 15 ff of the 1st act very corrected). This script can be dated precisely since part of it is typed on the back of his translation of Peter Ibbetson or of the corrected typescript of On est toujours trop bon avec les femmes, which was written in 1946. It features two main characters, Albert and Irene. The man is a scientific engineer, a film buff, and a specialist in acoustics; she is an actress. They meet on the same day in the offices of Sonor-Films, where they are respectively hired as sound engineers and actresses in a film about the Assassination of the Duke of Guise. Irène played one of Henri III's sweethearts, in a transvestite role. Both follow parallel destinies, leaving their families who do not approve of their choice. Albert soon falls in love with Irene and, throughout the film, the two characters cross paths without recognizing each other or miss each other, before being reunited by chance. The film ends with a short cartoon of their wedding. In the working version, Queneau alters scenes, imagines a different way for the characters to meet, and envisions an episode that leads to an appalling pun: "The director has intentions for Madeleine [Irene's original name]. She refuses. He is very offended. He then declares that there must be no more transvestites (because of public morality), and he sends the "cuties" away. As he makes bad puns, he shouts out to them: "Go away, pretty ones". The film was never shot; however, as the autograph sheet shows, Queneau had prestigious actors in mind: Gérard Philipe or François Perier to play Albert, Marguerite Moreno to play Irène's aunt and Saturnin Fabre for the bilboquet teacher.
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