QUENEAU Raymond. - Lot 185

Lot n° 185
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Estimation :
1000 - 1200 EUR
QUENEAU Raymond. - Lot 185
QUENEAU Raymond. autograph manuscript, M.N.T.P.D.P.T.N. [Mais n'te promène donc pas toute nue, 1958]; yellow-covered Ronsard-branded notebook, 18 pages in-4 (22 x 17 cm) in black ink; plus 3 typescripts. Unpublished draft of a film adaptation of Feydeau's play. The notebook contains notes, sketches, snippets of scenes, and diagrams and tables. The typescript, in 2 copies (14 and 15 pages in-4), presents some autograph annotations and corrections. In 1958, the producer Carlo Ponti entrusted Raymond Queneau with the film adaptation of Georges Feydeau's play Mais n'te promène donc pas toute nue. Queneau transposed the action to Vienna, after the Second World War, for the wedding of Tom, an American diplomat, and Clarisse Ingek. In the notebook, Queneau first laid out this outline: "Ravitza, a Hungarian refugee, has married the Count of Lübeck, the Luxembourg ambassador to Vienna. R. is an intellectual, very knowledgeable about psychoanalysis. But every time she hears the tune of the 3rd Man, she gets naked. Queneau takes notes on Viennese habits, the national characters of the various occupying troops. The idea that will dominate the scenario is emerging: "There's a woman there who is getting a divorce. She's saying huge things. The men who are there think they are advances. She responds by slapping them in the face. Then they have the idea of playing But don't walk around naked with her. She agrees. Then reads the play, finds it silly. Says: it's old-fashioned. Let's do it each in a different national style. Reversal of roles. She will only get naked in front of the one she loves". Then he defines the character of the protagonists, organizes the scenography, asks the questions to be answered, writes the lines to be placed: "You've seen that in the old films at the cinematheque. Nowadays, that's not done anymore, but people still get married in the end. I prefer it when they all die"; he sketches out scenes by trying out various variations. All these ideas are found in the final typed script, with other gags as well, notably a memorable meal scene, where Clarisse makes the innkeeper explain each dish.
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