QUENEAU Raymond. - Lot 194

Lot n° 194
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2500 - 3000 EUR
QUENEAU Raymond. - Lot 194
QUENEAU Raymond. Autograph MANUSCRIT and TAPS, La Grande Frousse, [1964]. File on Queneau's collaboration with Jean-Pierre Mocky for this fantastic-comic film. Raymond Queneau and Jean-Pierre MOCKY (1929-2019) had already worked together in 1959 for Un couple. When he decided to adapt Jean RAY's novel The City of Unspeakable Fear for the screen, the director once again called on the novelist to write the film's dialogue. The action, transposed from Scotland to the French countryside, features the brave commissioner Triquet (Bourvil) in pursuit of a dangerous counterfeiter. When he arrives in the small town of Bragues, he discovers a strange atmosphere of fear and suspicion, where the threat of a mysterious beast terrifies the population... Francis Blanche, Jean-Louis Barrault and Jacques Dufilho all play wonderful supporting roles, and the film mixes satire and fantasy in Mocky's trademark gritty tone. But the producers were not convinced. They forced the director to cut some scenes, to shoot new ones and imposed the title of La Grande Frousse instead of Jean Ray's novel. A comparison of the final typescript and the manuscript shows that of the entire scenes written by Queneau, sometimes only a few lines remain; these dialogues are therefore largely unpublished. Queneau demanded that his name be removed from the credits. The film was released at the end of October 1964; it was re-released in 1972 with the title La Cité de l'indicible peur. The file includes: * a copy of Jean Ray's novel, La Cité de l'indicible peur, with a letter to Queneau: "to Mr. Raymond Queneau, a tribute of esteem and sympathy, and - one day undoubtedly of robust friendship. Jean Ray". * the autograph manuscript of the dialogues (57 pages in-4 in black ink and blue ink, on the back of mimeographed ff. of an exhibition catalogue). * complete mimeographed typescript of the cut (278 pages in-4, under red "provisional dialogues" cover, with some corrections by another hand). * complete typescript of the "final version" with some autograph corrections by Queneau, plus a L.S. from Jean-Pierre Mocky. * another copy with corrections by another hand, under blue cover (discontinuous pagination), plus the typed song corrected by Queneau.
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